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Each instance of Komplete Kontrol hosts a single instrument plug–in, which by default is shown in a simplified panel view, usually focusing on any macros that link to the physical knobs. Komplete Kontrol hosts all your Komplete instruments, presents a unified preset browser, and also drives performance features like the arpeggiator. #MASSIVE NATIVE INSTRUMENTS CONTROLLER WITH IPHONE SOFTWARE#Outside of Maschine the software component is Komplete Kontrol, which runs as a stand–alone app or a VST/AU/AAX plug–in. The rest of the surface’s buttons - and all the advanced functionality - are only available when paired with Komplete or Maschine (see the ‘Komplete & Maschine’ box for more on Maschine integration). The Komplete Kontrol browser overlay screen.The S–Series keyboards can function as stand–alone MIDI controllers, with the Controller Editor software enabling you to define the knobs and touch strips, and create colour–coded keyboard splits. The OEM Fatar keys befit the price tag, with a solid fast semi–weighted action. This might not suit traditionalists, but I liked being able to jump directly to a value, and the option to set pitch–bend ‘springiness’. #MASSIVE NATIVE INSTRUMENTS CONTROLLER WITH IPHONE MOD#In place of pitch and mod wheels you’ll find touch strips with LED position indicators. These displays show mapped parameters, with values indicated by a horizontal slider graphic. The touch–sensitive knobs offer just enough resistance to feel expensive, and each is accompanied by a beautifully sharp monochrome display. With power (AC not USB, I’m afraid) a wave of colours washes across the surface as the ‘Light Guide’ key lights come to life causing grins and ‘oohs’ from geeks and non–geeks alike in our house. While nicely crafted and classy in appearance, the Kontrol–S is rather unassuming. Rather than packing every square inch with knobs, sliders, button and pads, all the S–Series keyboards have just eight main rotaries, two modest clusters of buttons, and a selector knob. The keyboard’s panel couldn’t be more different than most of its contemporaries. Feel and build quality are similar to Maschine - solid and sleek, with the same mixture of glossy plastic and brushed-metal surfaces. Out of the box the Kontrol S is a pleasingly narrow, low-profile slab of black. The hardware also offers some special performance sauce from the arpeggiator and auto–scale/chord features, and intelligent integration with many DAWs. All the presets from Komplete are accessible from a single browser, with plug–in parameters pre–mapped across the eight rotary encoders. Komplete Kontrol focuses on one aspect of the Kore vision: providing a unified user experience across all NI’s many and various software instruments. You’ve probably already figured this is more than a MIDI control keyboard, so what is it? First, it’s not Kore reincarnate, at least not entirely. The Komplete Kontrol S–Series is the obvious next step, bringing a hardware front–end to the mighty Komplete instruments bundle, and a high-quality keyboard option for Maschine users or NI–centric users of other DAWs. NI have more or less defined the shape of modern hybrid music production and performance with their Maschine and Traktor Kontrol ranges. All instruments are fully categorised and ‘tagged’ using the MPCs own native tagging system for fast and easy browser searching/filtering, with program previews provided for every single instrument so it’s always easy to find the exact sound you need.NI turn their hybrid expertise to keyboard design with an innovative controller for Komplete and Maschine. The Source contains 310 custom MPC instruments made from a whopping 4155 samples, as well as 25 completely new and custom TubeSynth plugin presets. All instruments are fully compatible with Pad Perform Mode and the arpeggiator. Average program size is only 6MB, so there’s waiting around for any program to load and no latency when playing. Pad Pimps are proud to present The Source, the largest MPC instrument expansion ever created with over 300 leads, pads, bass, keys, organs, plucks and strings for MPCs running MPC 2.4 or greater, suitable for all styles of electronic music including trap, lofi, hip hop and house.Īll instruments are built using a combination of analog synth multisampling and subtractive synthesis for an unparalleled collection of rich & evolving instruments built using the MPC’s own native filters, LFO, envelopes and FX, all optimised for super-fast loading & minimal CPU.Įach instrument is pre-mapped chromatically for you so you can just load it and play – no need for any configuration or tweaking simply load your chosen instruments and start playing chords, riffs and melodies on your pads or via an attached keyboard. ![]()
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